Frontline is an Australian comedy television series which satirised Australian television current affairs programmes and reporting. It ran for three series of 13 half-hour episodes and was broadcast on ABC TV in 1994, 1995 and 1997.

While fighting on the frontlines of France, American soldier Robert is taken captive by German forces. The life of a prisoner of war is bleak, but Robert finds hope and solace in a beautiful local woman named Catherine.

Dutch-Kurdish Ceylan is living the perfect life; and has a nice boyfriend, Bastiaan. However, the war in her homeland is fighting for her attention. She no longer can handle watching the misery on TV without taking action. Therefore she decides to become 'Peshmerga' and say goodbye to her secure life with Bastiaan, maybe forever.

Upon his release from a mental hospital, James re-kindles his relationship with pirate DJ Marion, helping her kick her nasty heroin addiction. However, when Marion is found dead, James and Marion's father hatch a plan to trap and expose the 'protected' killer. A plan that leads to a tense and bloody showdown that will leave you shattered. Filmed in the Moss Side area of Manchester this gritty tale of futility pulls no punches in its graphic depiction of drug addiction, political corruption and society out of control.

The key moments that helped shape President-elect Donald Trump.

In a four-part special series, News War, FRONTLINE examines the political, cultural, legal, and economic forces challenging the news media today and how the press has reacted in turn. Through interviews with key figures in print, broadcast and electronic media over the past four decades -- and with unequaled, behind-the-scenes access to some of today's most important news organizations, FRONTLINE traces the recent history of American journalism, from the Nixon administration's attacks on the media to the post-Watergate popularity of the press, to the new challenges presented by the war on terror and other global forces now changing -- and challenging -- the role of the press in our society.

During the Second World War a big plant in Urals region gets an order from the State Defence Committee: to double the output of the tanks T-34 within 24 hours. All physical and emotional strength of all plant workers needs to be exerted to fulfill the plan. The workers labor heroism is revealed through the story of a hereditary worker's family. His shoulders are burdened not only with a physical job, but also with responsibility for his younger son, who runs to the front without permission, not understanding that his battle-front is right here, on the plant.

Ads on the Frontline looks at a controversial series of adverts produced by the Northern Ireland Office during the last 10 years of the Troubles. The aim was to encourage people to pass on information to a confidential phoneline to help end the violence. To some, the ads were British government propaganda, to others a cultural snapshot of Northern Ireland's brutal past. Ads on the Frontline hears from people on different sides of the debate. (BBC Genome)

A window into the incredible and dangerous world of daredevil war correspondent and author Ryszard Kapuscinski. One of the most important literary voices today, Kapuscinski has spent his life trying to stay alive on foreign battlefields and struggling to stay published in the face of censorship in his native Poland. Known as 'Indiana Jones with a notepad', he is a legend among his peers, a man who has been looking for the truths of human experience in the most dangerous places. Film-maker Gabrielle Pfeiffer travelled with Kapuscinski to four countries, capturing his true character, his passion, his humour and his demons. Her film unfolds in an engaging episodic format, in which the echoes of Kapuscinski's childhood as a war refugee interweave with his later experiences on the battlefields of the third world, in a poetic reverie of the tragedy and the absurdity of war.